"Landschaft" (the portrait of Helen of Troy burning amidst destruction) is a text for a multidisciplinary performance that starts from a landscape of insomnia and establishes a relationship with the memory of World War II, Homer's Iliad, and the systems of oppression that originate wars in the contemporary world.

"Landschaft" is a dialogue with war, with fascism, but above all, with marginal bodies. Bodies that did not give up their identity and convictions, that believed in an existence that valued human dignity, that built discourses of desire, freedom, and therefore, eternally revolutionary.